Memory in Motion

Jacqueline Anne Newling
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Abstract

Memory in Motion illustrates the ways that replicating a now-lost culinary practice achieves stickiness through the affective transfer of ideas and experiences for visitors in history museums. It explores how embodied re-enactment both preserves and creates memories, while instilling senses of social value, currency and meaning in the museum, and in heritage more broadly. The work also considers museums, particularly house museums, recipes, and in this instance—sponge cake—as sites of memory and nostalgia, and their contemporary relevance. By interweaving resonant fragments of the museum’s collection and family (hi)stories with a performative activity embedded in memory and motion, we see the development of stickiness through a relational assemblage framework centred around emotional connections to food in the past and in the present, with a view to the future.with a view to the future.
运动中的记忆
运动中的记忆》展示了历史博物馆如何通过对参观者的思想和体验的情感传递,复制现已失传的烹饪方法,从而实现粘性。作品探讨了肢体再现如何保存和创造记忆,同时在博物馆和更广泛的遗产中灌输社会价值感、货币和意义。作品还将博物馆,尤其是房屋博物馆、食谱以及海绵蛋糕作为记忆和怀旧的场所,并考虑其当代意义。通过将博物馆藏品和家庭(喜)故事的共鸣片段与嵌入记忆和动作的表演活动交织在一起,我们通过一个以过去和现在与食物的情感联系为中心、面向未来的关系组合框架,看到了粘性的发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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