{"title":"Tangibility of Time in the Prose of Aleksander Jurewicz","authors":"Olga Pańkowa, Herman Pańkow","doi":"10.36253/studi_slavis-14574","DOIUrl":null,"url":null,"abstract":"The article is focused on the model of artistic time in the works of Polish writer Alexander Jurewicz: Lida (1990), The Lord Does Not Hear the Deaf (Pan Bóg nie słyszy głuchych, 1995), The True Ballad of Love (Prawdziwa ballada o miłości, 2002), Ashes and Wind (Popiół i wiatr, 2005), and The Day Before the End of the World (Dzień przed końcem świata, 2008). Novel-collage Ashes and Wind is considered as a key work that sums up the writer’s reflections. Jurewicz crosses temporal layers, memories of the past, and refracts vignettes from childhood onto artistic reality. Replicating the past contributes to a fuller definition of one’s own identity. The article shows the interpretation of time by a writer who ruminates on the existence of a person in time and in discord with it, on the openness and tightness of the temporal frame, as well as the timeless nature of sacralizing the space of his home and childhood.","PeriodicalId":41566,"journal":{"name":"Studi Slavistici","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2024-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studi Slavistici","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36253/studi_slavis-14574","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
The article is focused on the model of artistic time in the works of Polish writer Alexander Jurewicz: Lida (1990), The Lord Does Not Hear the Deaf (Pan Bóg nie słyszy głuchych, 1995), The True Ballad of Love (Prawdziwa ballada o miłości, 2002), Ashes and Wind (Popiół i wiatr, 2005), and The Day Before the End of the World (Dzień przed końcem świata, 2008). Novel-collage Ashes and Wind is considered as a key work that sums up the writer’s reflections. Jurewicz crosses temporal layers, memories of the past, and refracts vignettes from childhood onto artistic reality. Replicating the past contributes to a fuller definition of one’s own identity. The article shows the interpretation of time by a writer who ruminates on the existence of a person in time and in discord with it, on the openness and tightness of the temporal frame, as well as the timeless nature of sacralizing the space of his home and childhood.
文章主要探讨波兰作家亚历山大-尤列维奇作品中的艺术时间模式:Lida》(1990 年)、《上帝听不见聋子的声音》(Pan Bóg nie słyszy głuchych,1995 年)、《爱情真谣》(Prawdziwa ballada o miłości,2002 年)、《灰烬与风》(Popiół i wiatr,2005 年)和《世界末日前的一天》(Dzień przed końcem świata,2008 年)。小说拼贴画《灰烬与风》被认为是总结作家思考的一部重要作品。Jurewicz 跨越时空层,回忆过去,将童年的片段折射到艺术现实中。复制过去有助于更全面地定义自己的身份。文章展示了一位作家对时间的解读,他反思了一个人在时间中的存在以及与时间的不和谐,反思了时间框架的开放性和紧密性,以及将他的家和童年空间神圣化的永恒性。