Dijital Çağda Yeni Sinefil Alanı Olarak MUBI’nin Ekonomik ve Sembolik Sermayesi Üzerine Bir Araştırma

Murat Şahi̇n
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Abstract

This study aims to explore how MUBI, a digital streaming platform, transforms into a space for cinephiles and establishes its economic and symbolic capital in the process. Firstly, it stresses the evolution of cinephile, from the traditional cinephile to the contemporary cinephile, in light of technological advancements and the widespread use of the internet. Next, the strategies employed by MUBI are highlighted as it positions itself in the digital streaming field and solidifies its status as a company, thereby building its economic and symbolic capital. The findings reveal that MUBI has tailored its platform to cater to new cinephiles, offering arthouse film selections, festival coverage, the Notebook cinema magazine, and user comments on films. Particularly during the pandemic, MUBI showcased initial screenings and premieres of select films on its platform, distributed noteworthy festival films, and acquired companies producing arthouse films, securing a position in the cinema value chain. Ultimately, it has been observed that MUBI strategically appeals to the interests of contemporary cinephiles to enhance both its symbolic and economic capital.
关于 MUBI 作为数字时代新电影爱好者空间的经济和象征资本的研究
本研究旨在探讨数字流媒体平台 MUBI 如何转变为电影爱好者的空间,并在此过程中建立其经济和象征资本。首先,研究强调了电影爱好者在技术进步和互联网广泛使用的背景下从传统电影爱好者到当代电影爱好者的演变过程。其次,重点介绍了 MUBI 在数字流媒体领域的定位和巩固其公司地位时所采用的战略,从而建立其经济资本和象征资本。研究结果表明,MUBI 对其平台进行了调整,以迎合新电影爱好者的需求,提供文艺片精选、电影节报道、Notebook 电影杂志以及用户对电影的评论。特别是在电影大流行期间,MUBI 在其平台上展示了精选影片的首映和首映式,发行了值得关注的电影节影片,并收购了制作文艺片的公司,确保了在电影价值链中的地位。最终,MUBI 从战略上迎合了当代电影爱好者的兴趣,从而增强了其象征资本和经济资本。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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