Intimate Partner Violence and its Realistic Projection: A Critical Study of Contemporary Indian Cinema

IF 0.1 0 LITERARY THEORY & CRITICISM
Meenu Sharma
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Abstract

Despite an array of new statutes designed to safeguard women and punish abusers, Intimate Partner Violence (IPV) continues to snuff out many lives leading to infringement of fundamental human rights and serious physical and mental health consequences. Like other societal phenomena, gender-based violence particularly IPV alongside its resistance, is prominently depicted in contemporary Indian cinema. By evaluating three films in light of a social responsibility paradigm which relies on realistic representation as its basic dimension, this research investigates how accurately IPV is portrayed across contemporary Indian cinema. The behavioural elements of the widely recognized The Duluth Model and Power and Control Wheel will be applied to determine realistic representation of IPV in each particular movie. This study focuses on films like Jasmeet K. Reen’s Darlings, Charukesh Sekar’s Ammu and Vipin Das’s ‘Jaya Jaya Jaya Jaya Hey’ which premiered in year 2022 in Hindi, Telugu and Malyalam cinema respectively. The results demonstrate significant variations in the measure of social responsibility indicating that contemporary Indian cinema may play a significant role in realistic projection of IPV
亲密伴侣暴力及其现实投射:当代印度电影批评研究
尽管制定了一系列旨在保护妇女和惩罚施暴者的新法规,但亲密伴侣间的暴力行为(IPV)仍在夺走许多人的生命,导致基本人权受到侵犯,并对身心健康造成严重后果。与其他社会现象一样,基于性别的暴力,尤其是 IPV 及其阻力,在当代印度电影中也得到了突出的描述。本研究根据社会责任范式对三部电影进行了评估,该范式以真实再现为基本维度,研究了印度当代电影对 IPV 的准确描述。本研究将采用广受认可的 "德卢斯模型 "和 "权力与控制轮 "中的行为元素,以确定每部特定电影中 IPV 的真实表现形式。本研究重点关注 Jasmeet K. Reen 的《Darlings》、Charukesh Sekar 的《Ammu》和 Vipin Das 的《Jaya Jaya Jaya Jaya Hey》等影片,这些影片分别于 2022 年在印地语、泰卢固语和马里亚拉姆语院线首映。研究结果表明,社会责任的衡量标准存在明显差异,这表明当代印度电影可能在现实的 IPV 映射中发挥着重要作用。
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Literary Voice
Literary Voice LITERARY THEORY & CRITICISM-
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