Correction to: Analytical Essays on Music by Women Composers: Concert Music, 1900–1960. Edited by Laurel Parsons and Brenda Ravenscroft

Abstract

In Catherine’s study a poster “The Masters of Classical Music,” representing the history of music as a tree rooted in medieval Europe. the of the like on the branches of the an array of beards and and whiskers and nearer the of the moustaches and spectacles. a testosterone brigade. The only woman, at the very bottom of the tree trunk, did not have a picture. That was how the poster had been printed, but when she was teaching Catherine had changed it. At the top right- hand corner she had, with a mapping pen, printed with extreme neatness her own name and a brief biography. It was in the tone of the other entries and she stuck it into a gap between Harrison Birtwistle and Karlheinz Stockhausen, just above Luigi Nono.