Freedom in an Age of Repression: The Role of Black Theology and Black-Produced Media in Forging Freedom

Wendy M. Arce
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Abstract

This paper will explore the role that black theology and black-produced films of 2016 play in creating a narrative that seeks freedom for African Americans in the United States during this age of brutality and mass incarceration. Starting with Alexander's The New Jim Crow and Duvernay's 13th, this paper illustrates how the media and the legal system have worked together to create a culture of criminality still imposed on black youth. Theologians Cone and Brown Douglas rely on the concepts of God's freedom, God's revolutionary love and faithful action to resist such a hostile culture, but two black-produced films of 2016 also rely on the concept of freedom in the face of criminality. Birth of a Nation not only to shows a positive portrayal of black men in the media, but Moonlight illustrates the complexity of growing up in communities that are repressed by this hostile culture.
压迫时代的自由:黑人神学和黑人制作的媒体在铸就自由中的作用
本文将探讨 2016 年的黑人神学和黑人制作的电影在这个残暴和大规模监禁的时代为美国黑人寻求自由的叙事中所扮演的角色。本文从亚历山大的《新吉姆克罗》和杜弗内的《第13次》入手,阐述了媒体和法律系统如何共同创造了一种仍然强加在黑人青年身上的犯罪文化。神学家康恩和布朗-道格拉斯依靠上帝的自由、上帝的革命之爱和忠实的行动等概念来抵制这种充满敌意的文化,但2016年两部黑人制作的电影也依靠自由的概念来面对犯罪。一个国家的诞生》不仅展现了黑人男性在媒体中的正面形象,《月光》也诠释了在被这种敌对文化压抑的社区中成长的复杂性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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