The feminist perspective as a counterpoint in the architecture of Anna Bofill (1977–1996)

IF 2.4 Q3 ENVIRONMENTAL SCIENCES
María-Elia Gutiérrez-Mozo, Ana-Covadonga Gilsanz-Díaz, Asunción Díaz-García, José Parra-Martínez
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引用次数: 0

Abstract

The vast and plural production of the woman architect, musician, activist, occasional educator and tireless researcher Anna Bofill Levi (Barcelona, 1944) is characterized by certain features that make its author a unique personality, although one hardly known and recognized in the Spanish and international circles that are the custodians of prestige in architecture. She has achieved most public recognition as a composer, the field in which she has been most productive over time and developed the furthest. Her music is characterized by the number of references, especially contemporary, she includes, the wide diversity of countries where it has been performed, and the range of people to whom she has dedicated her works, all these aspects testifying to her cosmopolitan and libertarian spirit and her commitment to equality. Her incessant writing, with all the reading it entails, has also left us with a large body of written work, extending over a number of fields, including most notably her reflections on the influence of the gender-based perspective on urban planning. A factor also reflected in her architecture, for example, in the implementation of participatory processes in her project designs. She joined the Taller de Arquitectura from the time she began her studies at the School of Architecture in Barcelona in 1964—she graduated in 1972—, and then commenced her independent career in 1981, although her first solo works date from 1977. Her work at the head of her office for almost 20 years is evidence of a tireless capacity for work and an unwavering commitment to people's welfare. This paper analyses Anna Bofill's contributions to feminist thinking through her work as an architect. Also, it addresses the study of a cultured person, a woman with great sensitivity and a strong political and personal commitment who has suffered discrimination and who has made rigor and determination the means to achieve her non-negotiable freedom.
安娜-波菲(1977-1996 年)建筑中作为对位点的女性主义视角
女建筑师、音乐家、活动家、临时教育家和孜孜不倦的研究者安娜-波菲-列维(1944 年出生于巴塞罗那)的作品内容丰富,形式多样,具有某些特点,这使她成为一位独特的人物,尽管在西班牙和国际建筑界,她几乎不为人所知,也不为人所认可。她作为作曲家获得了最广泛的公众认可,这也是她长期以来最有成就、发展最快的领域。她的音乐的特点是参考资料众多,尤其是现代参考资料,演奏的国家也多种多样,作品的对象也很广泛,所有这些都证明了她的世界主义和自由主义精神,以及她对平等的承诺。她笔耕不辍,博览群书,为我们留下了大量的文字作品,涉及多个领域,其中最著名的是她对性别观点对城市规划影响的思考。这一因素在她的建筑设计中也有所体现,例如在她的项目设计中实施的参与式程序。她从 1964 年开始在巴塞罗那建筑学院学习--1972 年毕业--就加入了 Taller de Arquitectura,然后于 1981 年开始了她的独立职业生涯,尽管她的第一件个人作品可以追溯到 1977 年。她担任事务所负责人近 20 年的工作证明了她不知疲倦的工作能力和对人类福祉坚定不移的承诺。本文分析了安娜-波菲作为建筑师对女性主义思想的贡献。此外,本文还探讨了对一位有教养的人的研究,她是一位具有高度敏感性和强烈的政治与个人承诺的女性,她曾遭受歧视,并以严谨和坚定的态度实现了自己不容商量的自由。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
4.00
自引率
7.10%
发文量
176
审稿时长
13 weeks
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