The Construction of Female Identity in Beloved from the Perspective of Post-Colonialism

Li Zhang, Jiaxin Chen
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Abstract

Beloved is one of the historical trilogy by the African-American writer Toni Morrison. This paper interprets the process of the three black women's self-consciousness awakening and identity construction in Beloved from the perspective of post-colonialism by Homi K. Bhabha. Morrison depicts the painful revealing of the disremembered past of black people in Beloved. Through the depiction of Sethe as well as other ex-slaves, the novel expresses that only by confronting ghosts and rediscovering history can the characters be able to break down their constructed otherness, and embark on the obtaining of a subjective position.
从后殖民主义角度看《亲爱的》中女性身份的构建
挚爱》是非裔美国女作家托尼-莫里森的历史三部曲之一。本文从霍米-K-巴巴(Homi K. Bhabha)的后殖民主义视角出发,解读《我爱》中三位黑人女性自我意识觉醒和身份建构的过程。莫里森在《亲爱的》中描写了黑人被遗忘的过去的痛苦揭示。小说通过对塞特以及其他前奴隶的描写,表达了人物只有直面幽灵,重新发现历史,才能打破被建构的他者身份,走上主体地位的获得之路。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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