{"title":"Acoustic limitrophies, or why Roald Dahl’s work sounds more serious than it seems","authors":"Jorge Sacido-Romero","doi":"10.1080/13825577.2023.2287099","DOIUrl":null,"url":null,"abstract":"The visual dimension of Roald Dahl's work is conspicuous and well known. However, his texts also articulate the author’s life-long interest in sound(s), in the aural or acoustic. The present articl...","PeriodicalId":43819,"journal":{"name":"European Journal of English Studies","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2024-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of English Studies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/13825577.2023.2287099","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
The visual dimension of Roald Dahl's work is conspicuous and well known. However, his texts also articulate the author’s life-long interest in sound(s), in the aural or acoustic. The present articl...