Patience Agbabi, The Canterbury Tales , and Polyhistorical Form

IF 0.2 2区 文学 N/A LITERATURE
ELH Pub Date : 2024-03-01 DOI:10.1353/elh.2024.a922016
Peter Miller
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引用次数: 0

Abstract

Abstract: This essay engages the question of historical form via one of the more remarkable retellings of Chaucer, the British-Nigerian poet Patience Agbabi's 2014 book Telling Tales . Retaining Chaucer's governing conceit that the pilgrims share tales to pass the time while traveling from London to Canterbury, Agbabi layers onto this frame narrative a dazzling array of poetic and linguistic forms. The result is a work that flaunts its literary historical textures while resisting single period-based historicization. Rather than peeling back the layers of culture and history that inevitably accrue on artworks as they pass through time, Agbabi's book accentuates them, modeling a brand of historical poetics based not on recovery, but remediation.
帕蒂斯-阿格巴比、《坎特伯雷故事集》与多史形式
摘要:本文通过英国-尼日利亚诗人帕蒂斯-阿格巴比(Patience Agbabi)2014年出版的《讲故事》(Telling Tales)一书这一对乔叟的杰出重述,探讨了历史形式的问题。阿格巴比保留了乔叟的主要构想,即朝圣者们在从伦敦前往坎特伯雷的途中分享故事来打发时间,并在这一框架叙事上层层叠加了一系列令人眼花缭乱的诗歌和语言形式。结果,这部作品既彰显了其文学史质感,又抵制了单一的时期历史化。阿格巴比在书中并没有剥离艺术作品在时间流逝过程中不可避免地累积的文化和历史层次,而是强调了这些层次,塑造了一种不是基于恢复而是基于补救的历史诗学品牌。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
ELH
ELH LITERATURE-
CiteScore
0.60
自引率
0.00%
发文量
30
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