Patriarchy and Communalism in Mahesh Dattani’s Final Solutions

M. Kalaiselvan
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引用次数: 0

Abstract

Mahesh Dattani’s themes highlight the problems that so many urban people face on a daily basis. These individuals may be living in historical transitions, torn between the alluring modernism and globalisation and the firm grasp of tradition and societal values. Skilled playwright and theatre professional Dattani discovers the problem, develops characters, and employs time, place, and the stage all in service of the subject he addresses. Indian urbanites of today make up the characters on stage. They work with socio-cultural tensions as their issues, and expressionism is his method. This article explains the patriarchy of these individuals in Final Solutions of Mahesh Dattani.
马赫什-达塔尼的《最终解决方案》中的父权制与族群主义
马赫什-达塔尼的主题突出了许多城市人每天都要面对的问题。这些人可能生活在历史转型期,在诱人的现代主义和全球化与牢牢把握的传统和社会价值观之间纠结。娴熟的剧作家和戏剧专业人士达塔尼发现问题、塑造人物,并利用时间、地点和舞台为他所探讨的主题服务。当今的印度城市居民构成了舞台上的人物。他们的工作以社会文化紧张关系为主题,表现主义是他的创作方法。本文解释了《马赫什-达塔尼的最终解决方案》中这些人的父权制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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