Museum participation as labor

IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Irene Hilden, Andrei Zavadski
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引用次数: 0

Abstract

Set in the tradition of museum ethnography, this article looks at museum participation through the lens of labor. Based primarily on interview material, it analyzes the lengthy—and laborious—participatory process behind the creation of “Berlin Global,” an exhibition at the Humboldt Forum in Berlin, Germany. The authors explore three aspects of participation related to labor, as identified in their research: the different types of knowledge and experience that participants bring with them, the organization of the participatory work process, and the presentation of the participants' contributions within the exhibition. The authors argue that because museum participation tends to be viewed as an act of civic duty, individually and socially meaningful, the different kinds of labor involved in it are often overlooked, resulting in power imbalances between curators and their external partners. A greater awareness of the labor demanded by participatory work is able to address this problem, decreasing the number of frictions and tensions, and thus making mutual beneficiality, participation's main goal, more achievable.

Abstract Image

作为劳动参与博物馆活动
本文以博物馆民族志的传统为背景,从劳动的角度审视博物馆的参与。文章主要以访谈材料为基础,分析了德国柏林洪堡论坛举办的 "柏林全球 "展览背后漫长而艰辛的参与过程。作者在研究中发现了与劳动相关的参与的三个方面:参与者带来的不同类型的知识和经验、参与式工作过程的组织以及在展览中对参与者贡献的展示。作者认为,由于博物馆参与往往被视为一种具有个人和社会意义的公民义务行为,其中涉及的各种劳动往往被忽视,从而导致策展人与其外部合作伙伴之间的权力失衡。提高对参与性工作所需的劳动的认识能够解决这一问题,减少摩擦和紧张,从而使互惠互利这一参与的主要目标更容易实现。
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来源期刊
Curator: The Museum Journal
Curator: The Museum Journal HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.70
自引率
10.00%
发文量
63
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