Neil Gaiman’s Use of Antiquity in Television Series: American Gods and Calliope

Q2 Arts and Humanities
Clotho Pub Date : 2024-03-04 DOI:10.4312/clotho.5.2.131-147
Elżbieta Olechowska, Marta Pszczolińska
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引用次数: 0

Abstract

American Gods (Starz 2017–2021) and The Sandman (Netflix 2022– ), two highly watchable audiovisual series are adaptations of Neil Gaiman’s popular novel (2001) and of his earlier comic book series (1989–1996). They are both inspired by classical and Norse mythologies and reflect the evolution of culturally and socially important themes that occurred between the publication of their literary models and the airing of the television series. Curiously, the adaptation of the novel includes more Olympic gods but glosses over the influence of Herodotus. The Sand­man, on the other hand, in its television version, and specifically, in its first season finale episode Calliope, under discussion here, is much less graphic in the scenes of sexual abuse leaving the more drastic images to the imagination of the viewers but at the same time achieving an even more expressive empathy toward the suffering victim and a severe condemnation of the committed outrage.
尼尔-盖曼在电视剧中对古代文化的运用:美国众神》和《卡利奥普
美国众神》(Starz,2017-2021 年)和《睡魔》(Netflix,2022- 年)这两部可看性极高的视听系列剧改编自尼尔-盖曼的热门小说(2001 年)及其早期漫画系列(1989-1996 年)。这两部作品的灵感都来自古典神话和北欧神话,反映了从其文学作品出版到电视剧播出之间发生的文化和社会重要主题的演变。奇怪的是,改编后的小说包含了更多的奥林匹克诸神,却淡化了希罗多德的影响。另一方面,电视版的《睡魔》,特别是本文讨论的第一季结局集《卡利俄普》,在性虐待的场面上没有那么生动,而是把更激烈的画面留给观众去想象,但同时对受苦受难的受害者表达了更多的同情,对犯下的暴行进行了严厉的谴责。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
11
审稿时长
12 weeks
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