On the Management of Hidden Artwork: A Public–Private Partnership Approach

IF 0.5 Q4 ECONOMICS
Claudia Amadei, Marina Bertolini, Luciano Greco
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引用次数: 0

Abstract

A global trend, represented by the case of Italy, is that of movable cultural heritage hidden – and often not properly recorded – in public museums’ warehouses. Legal frameworks pose limits to privatization in the management of cultural assets. We propose the creation of a regulated market for tradable, long-term concessions of movable artwork to encourage selected private operators to invest in artwork's extraction from public museums’ warehouses. The social and monetary value that fiscally constrained countries can derive from once-hidden public cultural heritage would outweigh that of traditional means of exploiting the value of artwork. At the same time, public ownership of the extracted works of art would be retained.
论隐藏艺术品的管理:公私合作方法
以意大利为代表的一个全球趋势是,可移动的文化遗产被藏在公共博物馆的仓库里,而且 往往没有适当的记录。法律框架限制了文化资产管理的私有化。我们建议建立一个可交易的可移动艺术品长期特许权的规范市场,以鼓励选定的私人经营者投资从公共博物馆仓库中提取艺术品。财政拮据的国家可以从一度被隐藏的公共文化遗产中获得的社会和货币价值将超过传统的艺术品价值开发手段。同时,提取的艺术品的公共所有权将得到保留。
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来源期刊
CiteScore
1.30
自引率
0.00%
发文量
30
期刊介绍: Public Finance Review is a professional forum devoted to US policy-oriented economic research and theory, which focuses on a variety of allocation, distribution and stabilization functions within the public-sector economy. Economists, policy makers, political scientists, and researchers all rely on Public Finance Review, to bring them the most up-to-date information on the ever changing US public finance system, and to help them put policies and research into action. Public Finance Review not only presents rigorous empirical and theoretical papers on public economic policies, but also examines and critiques their impact and consequences. The journal analyzes the nature and function of evolving US governmental fiscal policies at the national, state and local levels.
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