Why is this (K)night Different: Passover, Blood, War, and the Conflict Between Jewish and American Identity in Jo Sinclair’s Wasteland and Dara Horn’s All Other Nights

IF 0.2 3区文学 0 LITERATURE

CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2024-03-11 DOI:10.1080/00111619.2024.2328290

Ohad Reznick

引用次数: 0

Abstract

For hundreds of years, non-Jews have accused Jews of dual identity. Living in the diaspora, Jews were often accused of loyalty to their own religion or people, which sometimes collided with allegia...

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为什么这个（K）夜晚与众不同？逾越节、鲜血、战争以及乔-辛克莱尔的《荒原》和达拉-霍恩的《其他所有夜晚》中犹太人和美国人身份的冲突

数百年来，非犹太人一直指责犹太人具有双重身份。生活在散居地的犹太人经常被指责忠于自己的宗教或民族，这有时会与 "双重身份 "的指控相冲突。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

CRITIQUE-STUDIES IN CONTEMPORARY FICTION LITERATURE-

CiteScore

0.60

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0.00%

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期刊介绍： Since its inception in the 1950s, Critique has consistently identified the most notable novelists of our time. In the pages of Critique appeared the first authoritative discussions of Bellow and Malamud in the ''50s, Barth and Hawkes in the ''60s, Pynchon, Elkin, Vonnegut, and Coover in the ''70s; DeLillo, Atwood, Morrison, and García Márquez in the ''80s; Auster, Amy Tan, David Foster Wallace, and Nurrudin Farah in the ''90s; and Lorrie Moore and Mark Danielewski in the new century. Readers go to Critique for critical essays on new authors with emerging reputations, but the general focus of the journal is fiction after 1950 from any country. Critique is published five times a year.