Nothing to wear: The fashion behind Rebelde, Mexico’s most popular teen telenovela

Laura V. Jimenez Morales
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Abstract

Released in 2004, Rebelde represented a turning point for telenovelas in Mexico, partly due to its subversion of conventions considered intrinsic to the genre. The series achieved this by relying heavily on fashion, not only to challenge traditional gender roles but also to address changing perceptions of class and wealth within the country. Clothing was used to explore identities new to Mexican entertainment media at the time and was central to many of the show’s narratives and to the ways characters related to one another. As such, Rebelde was not only a reflection of a new globalized media landscape that had been arriving to Mexico in the previous decade but was also indicative of the ways in which teenagers all over the world were embracing these changes under the guise of freedom, rebellion and independence.
无衣可穿:墨西哥最受欢迎的青少年电视连续剧《Rebelde》背后的时尚
2004 年上映的《反叛》代表了墨西哥电视小说的一个转折点,部分原因在于它颠覆了被认为是该类型固有的传统。该剧在很大程度上依靠时尚来实现这一目标,不仅挑战了传统的性别角色,还解决了墨西哥国内不断变化的阶级和财富观念问题。服装被用来探索当时墨西哥娱乐媒体的新身份,是该剧许多叙事和人物相互关系的核心。因此,《Rebelde》不仅反映了墨西哥在过去十年中出现的全球化媒体新格局,而且也表明了全世界青少年在自由、叛逆和独立的幌子下拥抱这些变化的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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