Reconstruction of The North Nias Giri-Giri Dance: A Creative Process

Tuti Rahayu, Yusnizar Heniwaty, Wiflihani
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Abstract

This research aims to find out the views of the people of Lahewa Village, North Nias Regency, regarding the Giri-giri dance which has been lost; the process of reconstructing the Giri-giri dance; the results of the reconstruction of the Giri-giri dance; and the creative process in its reconstruction. This research process resulted in a video and book on the Giri-giri dance from the local culture of North Nias. The method used in this research is qualitative in the form of descriptive analysis. The scope of the discussion includes the following: 1) What is the process of reconstructing the Giri-giri dance? 2) What is the shape of the reconstruction of the Giri-giri dance? 3) What factors support the reconstruction of the Giri-giri dance? Data analysis was carried out from each part found. Data was obtained from literature study, observation, and interviews. The research locations were carried out in the cities of Medan and Nias. The data that has been collected is analyzed using a qualitative paradigm using project-based research. The concept used in reconstructing the Giri-giri dance is structuring forms so that changes can be seen in the movement components, make-up and clothing, floor design, and dance props by providing innovative tourism art concepts, namely short, concise, engaging, and selling value. So, based on this concept, the Giri-giri dance can become a performing arts asset in North Nias Regency and Medan City.
重建北尼亚斯吉里吉里舞:创作过程
本研究旨在了解北尼亚斯省拉赫瓦村的人们对已经失传的吉里吉里舞的看法、重建吉里吉里舞的过程、重建吉里吉里舞的结果以及重建过程中的创作过程。在这一研究过程中,制作了有关北尼亚斯当地文化中的吉利吉利舞的视频和书籍。本研究采用描述性分析的定性方法。讨论范围包括以下内容:1) 重建吉里吉里舞的过程是怎样的?2)吉里吉里舞的重建形式是什么?3)支持吉里吉里舞重建的因素有哪些?对发现的每个部分进行了数据分析。数据来自文献研究、观察和访谈。研究地点在棉兰和尼亚斯市。收集到的数据采用定性范式,以项目研究为基础进行分析。重构吉里吉里舞所采用的概念是结构化形式,通过提供创新的旅游艺术概念,即短小、简洁、引人入胜和销售价值,在动作组件、化妆和服装、地板设计和舞蹈道具方面可以看到变化。因此,基于这一理念,吉里吉里舞可以成为北尼亚斯地区和棉兰市的表演艺术资产。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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