Border-Crossing Experience in Refugee Tales IV

Humanities Pub Date : 2024-02-08 DOI:10.3390/h13010036
Carmen Lara-Rallo
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Abstract

The year 2021 witnessed the publication of the latest volume of Refugee Tales, which chronologically coincided with the seventieth anniversary of the adoption of the 1951 Refugee Convention by the UK and other countries. This collection is the fourth volume of the Refugee Tales Project, which began in 2015 with a yearly meeting to walk and share stories by victims of detention, with the main goal of abolishing indefinite detention in the UK. The Refugee Tales Project, which exposes the humanitarian crisis involved in displacement, refugeehood, and detention, is primarily a spatial project that is concerned with borders and boundary crossings. The centrality of space can be seen reflected in the stories collected in Refugee Tales IV, which also reveal a sustained interest in the dimension of time. In this context, the present study addresses borders and border-crossing in the literary voicing of migrants’ experience as these migrants interact with spatial and temporal planes, with the aim of exploring such an interaction in a selection of narratives from Refugee Tales IV. This analysis examines the selected tales from the perspectives of the treatment of space, time, and the disoriented perception of both, considering how the articulation of these parameters contributes to the exposure of the injustices in detention and refugeehood.
难民故事中的越境体验 IV
2021 年,《难民故事》最新一卷出版,在时间上恰逢英国和其他国家通过 1951 年《难民公约》七十周年。这本文集是 "难民故事 "项目的第四卷。"难民故事 "项目始于 2015 年,每年举行一次会议,行走和分享拘留受害者的故事,主要目标是废除英国的无限期拘留。难民故事项目揭露了流离失所、难民身份和拘留所涉及的人道主义危机,主要是一个关注边界和边界跨越的空间项目。从《难民故事 IV》收集的故事中可以看出空间的中心地位,这些故事也揭示了对时间维度的持续关注。在此背景下,本研究探讨了在文学作品中表达移民经验时的边界和跨界问题,因为这些移民与空间和时间平面相互作用,目的是在《难民故事四》的部分叙事中探索这种相互作用。本分析从空间和时间的处理以及对二者的迷失方向的感知的角度对所选故事进行研究,考虑这些参数的阐述如何有助于揭露拘留和难民身份中的不公正现象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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