Counterfeit Ruckers Instruments in the MIM Collection: A Case Study of the So-Called “Ruckers-Taskin” Harpsichord

Q4 Arts and Humanities

De Musica Disserenda Pub Date : 2024-01-25 DOI:10.3986/dmd19.2.06

Pascale Vandervellen

引用次数: 0

Abstract

The use of archeometrical tools has shed light on the true history of the so-called “Ruckers-Taskin” harpsichord (Musical Instruments Museum, Brussels, inv. 3848), an instrument that is neither a Ruckers nor a Taskin but a French instrument from c. 1695, falsified around 1750 by Antoine Vater and ravalé by Pascal Taskin in 1774.

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MIM 藏品中的假冒鲁克斯乐器：所谓的 "Ruckers-Taskin "大键琴个案研究

考古工具的使用揭示了所谓的 "Ruckers-Taskin "大键琴的真实历史（布鲁塞尔乐器博物馆，inv.3848），这种乐器既不是 Ruckers 也不是 Taskin，而是约 1695 年的法国乐器，1750 年左右被 Antoine Vater 伪造，1774 年被 Pascal Taskin 修复。

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来源期刊

De Musica Disserenda Arts and Humanities-Music

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： De musica disserenda is an international journal of musical scholarship. It is published by the Institute of Musicology ZRC SAZU (Scientific Research Centre of the Slovenian Academy of Sciences and Arts) at the ZRC Publishing (Založba ZRC). The journal is publishing musicological as well as interdisciplinary articles regarding music, with a special attention given to the texts on history of music on the territory of today’s Slovenia in wider European context. Individual issues of the journal with various dissertations are published twice a year, while thematic double issues are published at the end an individual year. The articles are published in Slovenian, English, German, French or Italian languages, with keywords and abstracts in English and Slovenian. A longer summary in Slovenian or English is given at the end of each article.