The Preservation and Transmission of Gannan Tea Picking Opera Knowledge After the Cultural Revolution in 1949

Junyong Chang, Weerayut Seekhunlio
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Abstract

The study focuses on the preservation and transmission of Gannan Tea Picking Opera knowledge after the Cultural Revolution in 1949 using qualitative research methods such as interviews and observations with seven key informants. The following findings were obtained, which can be divided into three distinct periods: The tortuous development phase from 1949 to 1966 marked significant growth and development, with the establishment of specialized schools and the implementation of the “three reforms” contributing to knowledge transmission and preservation. The survival dilemma period from 1966 to 1976 during the Cultural Revolution imposed constraints on artistic expression, but the return of artists from rural areas and their role in recruiting apprentices supported the continuity of Gannan Tea Picking Opera. Finally, the Ganzhou Gannan Tea Picking Opera Troupe and educational institutions contributed to the revival of this traditional art form during the period of rebirth from 1976 to 2023. Retired artists continue to play a vital role in knowledge preservation and dissemination, reflecting the enduring resilience of Gannan Tea Picking Opera.
1949 年 "文革 "后赣南采茶戏知识的保存与传承
本研究重点关注 1949 年 "文革 "后赣南采茶戏知识的保存和传承情况,采用了访谈和观察等定性研究方法,访问了七位主要信息提供者。研究结果如下,可分为三个不同时期:1949 年至 1966 年的曲折发展阶段,标志着重要的成长和发展,专业学校的建立和 "三项改革 "的实施促进了知识的传承和保护。1966 年至 1976 年 "文革 "期间的生存困境期,艺术表现形式受到限制,但农村艺人的回归和招收徒弟的作用支撑了赣南采茶戏的延续。最后,在 1976 年至 2023 年的复兴时期,赣州市赣南采茶戏剧团和教育机构为这一传统艺术形式的复兴做出了贡献。退休艺术家在知识保存和传播方面继续发挥着重要作用,体现了赣南采茶戏的持久生命力。
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