Resisting Normality with Cultural Accessibility and Slow Technology

IF 0.4 4区 艺术学 0 ART
LEONARDO Pub Date : 2024-01-24 DOI:10.1162/leon_a_02502
Megan A. Johnson, Eliza Chandler, Carla Rice
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引用次数: 0

Abstract

Although the COVID-19 virus continues to circulate, there is an increasing insistence that the world “return to normal.” In this paper the authors resist this pull to normalcy and the way it devalues the knowledges, vitality, and livelihoods of disabled people. They examine the crip technoscience practices used during the 2022 digital gathering Practicing the Social: Entanglements of Art and Social Justice, situating them as examples of cultural accessibility that engage with slow technology to provoke crip(ped) ways of being in time. They argue that sustained engagement with cultural accessibility offers a different path through the pandemic, one that centers access and resists the way necropolitics devalues disabled life.
用文化无障碍和慢速技术抵制常态
尽管 COVID-19 病毒仍在传播,但人们越来越坚持要求世界 "恢复正常"。在本文中,作者抵制了这种回归正常的做法,以及这种做法贬低残疾人的知识、活力和生计的方式。他们研究了在 2022 年数字聚会 "实践社会 "中使用的瘸子技术科学实践:艺术与社会正义的纠葛》,将其视为文化无障碍的范例,通过与慢速技术的结合来激发人们在时间中的存在方式。他们认为,对文化无障碍的持续参与提供了一条不同的途径,即以无障碍为中心,抵制 "死亡政治学 "贬低残疾人生活的方式。
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来源期刊
LEONARDO
LEONARDO ART-
CiteScore
0.90
自引率
0.00%
发文量
139
期刊介绍: Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.
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