Unsigned play by Milan Kundera? An authorship attribution study

IF 0.7 3区文学 0 HUMANITIES, MULTIDISCIPLINARY

Digital Scholarship in the Humanities Pub Date : 2024-01-11 DOI:10.1093/llc/fqad109

Lenka Jungmannová, Petr Plecháč

引用次数: 0

Abstract

In addition to being a widely recognized novelist, Milan Kundera has also authored three pieces for theatre: The Owners of the Keys (Majitelé klíčů 1961), The Blunder (Ptákovina 1967), and Jacques and his Master (Jakub a jeho pán 1971). In recent years, however, the hypothesis has been raised that Kundera was the true author of a fourth play, Juro Jánošík, first performed in a 1974 production under the name of Karel Steigerwald, who was Kundera’s student at the time. In this study, we make use of supervised machine learning to settle the question of authorship attribution in the case of Juro Jánošík, with results strongly supporting the hypothesis of Kundera’s authorship.

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米兰-昆德拉的未署名剧本？作者归属研究

米兰-昆德拉不仅是广为人知的小说家，还创作了三部戏剧作品：钥匙的主人》（Majitelé klíčů 1961 年）、《失误》（Ptákovina 1967 年）和《雅克和他的主人》（Jakub a jeho pán 1971 年）。然而，近年来有人提出了昆德拉是第四部剧本《Juro Jánošík》的真正作者的假设，该剧于 1974 年以卡雷尔-斯泰格瓦尔德（Karel Steigerwald）的名字首次公演，而斯泰格瓦尔德当时是昆德拉的学生。在本研究中，我们利用有监督的机器学习来解决《Juro Jánošík》的作者归属问题，结果有力地支持了昆德拉为作者的假设。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Digital Scholarship in the Humanities Multiple-

CiteScore

1.80

自引率

25.00%

发文量

期刊介绍： DSH or Digital Scholarship in the Humanities is an international, peer reviewed journal which publishes original contributions on all aspects of digital scholarship in the Humanities including, but not limited to, the field of what is currently called the Digital Humanities. Long and short papers report on theoretical, methodological, experimental, and applied research and include results of research projects, descriptions and evaluations of tools, techniques, and methodologies, and reports on work in progress. DSH also publishes reviews of books and resources. Digital Scholarship in the Humanities was previously known as Literary and Linguistic Computing.