On Listening and Failure: Roger Laporte with Marcel Proust

Joseph Acquisto
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Abstract

Abstract:This essay reads Roger Laporte’s Une voix de fin silence (A voice of fine silence), the second volume of his idiosyncratic work Une vie (A life), in dialogue with the early volumes of Marcel Proust’s A la recherche du temps perdu (In Search of Lost Time). A constellation emerges from the analysis that allows us to consider the interrelations and interdependence of Laporte’s text, his work as a critic on Proust, and the Recherche itself. The essay argues that Laporte’s textual engagement with Proust allows us to re-evaluate notions of literary failure so as to redefine what counts as the success of a literary project conceived as a writing about writing and becoming a writer. Both Proust and Laporte practice a literary writing that evokes mental experience while never being synonymous with it because, as their texts demonstrate, mental and literary experience can never coincide perfectly. Laporte labels the writer’s search a “listening,” a precarious activity which, like failure, is impossible to summon on command and which can only be recognized as such in retrospect as a motor of literary creation.
关于倾听与失败罗杰-拉波特与马塞尔-普鲁斯特
摘要:本文通过罗杰-拉波特(Roger Laporte)的特立独行作品《一个人的一生》(Une vie)的第二卷,与马塞尔-普鲁斯特(Marcel Proust)的《寻找失去的时间》(A la recherche du temps perdu)的早期各卷的对话,解读了他的《一个人的沉默》(Une voix de fin silence)。通过分析,我们可以发现拉波特的文本、他作为普鲁斯特评论家的作品以及《追寻逝去的时光》本身之间的相互关系和相互依存性。文章认为,拉波特与普鲁斯特的文本交叉让我们能够重新评估文学失败的概念,从而重新定义什么才算得上是一个文学项目的成功,这个文学项目被认为是关于写作和成为作家的写作。普鲁斯特和拉波特都在践行一种唤起精神体验的文学写作,但又绝不是精神体验的同义词,因为正如他们的文本所证明的那样,精神体验和文学体验永远不可能完全吻合。拉波特将作家的探索称为 "倾听",这是一种岌岌可危的活动,就像失败一样,不可能随心所欲地召唤,只有回过头来才能认识到它是文学创作的动力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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