Quod significat: Vitruvius’ ultimate criterion for (good) architecture

IF 0.7 1区 艺术学 0 ART
P. Lefas
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引用次数: 0

Abstract

The present paper proposes a new reading of one of the most obscure passages of De Architectura; in I, 1,3 Vitruvius claims that in architecture there is always a signifier and a signified, but his approach differs from Quintilian’s as presented in the latter’s Institutio Oratoria. Vitruvius’ is closer to Chrysippus approach, but he fails to mention the third constituent, the tynchanon. This omission is probably due to the fact that Vitruvius speaks of designs rather, than of existing buildings. What can successfully signify a proposed building is, according to my reading, the design and erection of a building that is easily recognized by the public as realizing the intentions of the community to erect the proposed building. Such successful signification constitutes the ultimate criterion for good architecture.
Quod significat:维特鲁威的(优秀)建筑终极标准
本文对《建筑学》中最晦涩难懂的段落之一提出了新的解读;维特鲁威在《建筑学》I, 1,3 中声称,在建筑中始终存在着一个表意者和一个被表意者,但他的方法与昆体良在《Institutio Oratoria》中提出的方法不同。维特鲁威的方法更接近于克里西普斯的方法,但他没有提到第三个构成要素,即 "tynchanon"。这可能是因为维特鲁威说的是设计,而不是现有的建筑。根据我的理解,能够成功标志拟建建筑的是,设计和建造的建筑很容易被公众识别为实现了社区建造拟建建筑的意图。这种成功的标志构成了优秀建筑的最终标准。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.60
自引率
37.50%
发文量
45
期刊介绍: Founded in 1960, the British Journal of Aesthetics is highly regarded as an international forum for debate in philosophical aesthetics and the philosophy of art. The Journal is published to promote the study and discussion of philosophical questions about aesthetic experience and the arts. Appearing quarterly - in January, April, July, and October - it publishes lively and thoughtful articles on a broad range of topics from the nature of aesthetic judgement and the principles of art criticism to foundational issues concerning the visual arts, literature, music, dance, film, and architecture.
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