Kinship w ujęciu posthumanistycznym. Międzygatunkowe rodziny przyszłości

Q4 Arts and Humanities
G. Gajewska
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引用次数: 0

Abstract

The author analyzes the works of Patricia Piccinini (sculpture), Shaun Tan (literature) and Joon-ho Bong (film) in terms of the post-humanist idea of interspecies familiarity. The text begins with an explanation of the term Kinship, and then indicates to what extent post-humanism extends its scope and describes the emotional ties between human and other-than-human members of the household. The author presents this kind of post-humanist, multi-genre family life in three different versions: in the field of visual arts, these will be works from the Welcome Guest, and Families of the Future by Piccinini, in the field of the literature – Tan’s Tales from the Inner City, and the film representation – Okja by Bong. Although each of these works brings out slightly different aspects and contexts of the post-humanist vision of the concept of Kinship, they share an openness to what is other-than-human, combined with care and tenderness.
后人道主义的亲情。未来的物种间家庭
作者从后人文主义的 "物种间的熟悉感 "这一理念出发,分析了帕特里夏-皮奇尼尼(雕塑)、陈肖恩(文学)和奉俊昊(电影)的作品。文章首先解释了 "亲情"(Kinship)一词,然后指出后人文主义在多大程度上扩展了其范围,描述了人类与家庭中其他非人类成员之间的情感联系。作者通过三个不同的版本来呈现这种后人文主义的、多类型的家庭生活:在视觉艺术领域,这些作品将来自皮奇尼尼的《欢迎客人》和《未来家庭》;在文学领域--谭家明的《城中物语》;以及电影表现形式--奉文的《Okja》。虽然每部作品所展现的后人文主义视角下的 "亲情 "概念的各个方面和背景略有不同,但它们都对非人类的事物持开放态度,并将关怀和温情结合在一起。
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来源期刊
Przestrzenie Teorii
Przestrzenie Teorii Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
1
审稿时长
16 weeks
期刊介绍: “Przestrzenie Teorii” is a theoretical and literary journal of scholarly criticism. The journal is peer-reviewed and reflects the research interests of authors from across a wide range of universities in Poland, as well as presents translations of texts of distinguished foreign theoreticians in literature. The journal undertakes to present key and essential problems in the contemporary criticism and theory of literature, and provides a platform for a transdisciplinary dialogue. The published texts, presented in diversified methodological approach, address both aesthetical and poetical problems in different areas of research, encompassing theatre and film, but also drama and art (in particular, visual and performative art forms). The journal is characterized by its interdiciplinary approach, participates in the present-day scholarly discourse in the philosophy of science and attempts to effect its policy of fostering the polyphonic form of literary studies in drama. “Przestrzenie Teorii” is published semi-annually.
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