Reconstructed multisensoriality. Reading The Catcher in the Rye

Maria Paola Tenchini, Andrea Sozzi
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Abstract

Summary In natural face-to-face interactions, verbal communication always occurs in association with expressions of nonverbal behavior. The functional contribution of these multimodal aspects to the meaning of the message and to its effects fulfils multiple communicative functions that differ according primarily to the speaker’s intentions, to the interpersonal relations between the speaker and the addressee, to the nature of the message, and to the context. When nonverbal behavior is reproduced in a written literary text, it becomes functional to the textual and narrative process as it serves as a signifier for the reader. A fictional character is never fixed and unchanging. Through writing, each author encourages the explicit or implicit evocation of a multisensory world, which readers decode and reconstruct, inevitably conditioned by their cognitive and cultural environment. In this paper, we refer to Salinger’s famous novel The Catcher in the Rye to analyze the literary valence of representing the characters’ multisensory communication, focusing on the core relationship between the explicit and the implicit parts in reconstructing the psychological depth of a literary character.
重建的多感官性。阅读《麦田里的守望者
摘要 在面对面的自然交流中,语言交流总是与非语言行为表现结合在一起的。这些多模态方面对信息意义及其效果的功能性贡献,主要根据说话者的意图、说话者与收信人之间的人际关系、信息的性质和语境的不同而实现多种交际功能。当非语言行为在书面文学文本中再现时,它就成为文本和叙事过程中的一种功能,因为它是读者的一种符号。小说中的人物从来都不是固定不变的。通过写作,每位作者都鼓励或明或暗地唤起一个多感官的世界,读者对这个世界进行解码和重构,这不可避免地受到其认知和文化环境的制约。本文以塞林格的著名小说《麦田里的守望者》为例,分析表现人物多感官交流的文学价值,重点探讨显性与隐性部分在重构文学人物心理深度中的核心关系。
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