T. Kara-Vasylieva, Olha Lukovska, Valentyna Kostiukova
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引用次数: 0
Abstract
The early XX th century is a bright phenomenon in the history of decorative art in Ukraine. This is a period of active cooperation between famous avant-garde artists and folk-art masters. The article examines a unique creative experiment of professional and folk artists implemented in the A. Semigradova`s craft workshops in the village of Skoptsy and N. Davydova`s craft workshops in the village of Verbovka. It was these workshops that had differences in their artistic orientation. The art of the famous folk craftswomen G. Sobachko, P. Vlasenko, G. Tsybulyova, who came from there, is analyzed in the article. The works of the professional artists A. Ekster, K. Malevich, L. Popova, O. Rozanova, N. Genke-Meller also are being studied. The folk craftsmen embroidered artistic works based on their sketches and performed ideas of suprematism in this way. Professional artists paid attention to embroidery as the most expressive type of decorative art. It is indicated that the artistic style of decorative panels, carpets, as well as interior decoration and costume items was a new word in the art and brought Ukrainian embroidery to the highest level of development. Such cooperation contributed to the mutual enrichment of the works of folk-art masters and avant-garde artists. Joint innovative research proves the fact that the Ukrainian embroidery of the early XX century, developed in the context of artistic trends at that time, was a synthesis of decorative and fine arts.
二十世纪初是乌克兰装饰艺术史上一个耀眼的现象。这是著名前卫艺术家与民间艺术大师积极合作的时期。文章探讨了专业艺术家和民间艺术家在斯科普茨村的 A. 塞米格拉多娃手工作坊和韦尔博夫卡村的 N. 达维多娃手工作坊进行的独特创作实验。正是这些手工作坊在艺术方向上存在差异。文章分析了来自这里的著名民间女手工艺人 G. Sobachko、P. Vlasenko、G. Tsybulyova 的艺术。专业艺术家 A. Ekster、K. Malevich、L. Popova、O. Rozanova、N. Genke-Meller 的作品也在研究之列。民间手工艺者根据自己的草图刺绣艺术作品,并以这种方式表现至上主义思想。专业艺术家则将刺绣作为最具表现力的装饰艺术。这表明,装饰板、地毯以及室内装饰和服装的艺术风格是艺术中的一个新词汇,将乌克兰刺绣推向了最高发展水平。这种合作有助于相互丰富民间艺术大师和前卫艺术家的作品。联合创新研究证明,二十世纪初的乌克兰刺绣是在当时艺术潮流的背景下发展起来的,是装饰艺术和美术的综合体。