The plastic expression of everyday life in the satirical graphics of the artist Glebus Sainciuc

Q4 Arts and Humanities
Arta Pub Date : 2023-09-01 DOI:10.52603/arta.2023.32-1.13
Lucia Adascalita
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Abstract

Glebus Sainciuc is known in the artistic and cultural space of the Republic of Moldova, thanks to his pictorial works, papier-mâché masks and remarkable drawing sheets. Initially, the protagonist debuts in the art of easel painting, so as over decades to also enrich his area of interest through a vast activity in the art of masks, the art of social caricature and friendly cartoons. Caricature, as a genre of plastic creation, was practiced by artist Glebus Sainciuc mainly in the late 50s - early 60s of the 20th century. His debut in satirical graphics coincides with the period of time in which he becomes a member of the editorial board of the satire and humor magazine “Chiparus” in 1958. The artist’s activity involves social caricatures that were part of various thematic branches such as culture, social life, national economy, etc. The creator’s efforts were directed towards the elaboration of expressive images with an accentuated metaphorical substrate that originally reflects everyday life. Made in watercolor and ink, the caricatures developed by Glebus Sainciuc highlight the plastic expressions of color and line, while the subject of the image favors the satirical elucidation of some social and cultural realities.
艺术家 Glebus Sainciuc 的讽刺图形对日常生活的形象表达
Glebus Sainciuc 在摩尔多瓦共和国的艺术和文化领域享有盛誉,这要归功于他的绘画作品、纸扎面具和出色的画作。起初,这位主人公从事的是架上绘画艺术,几十年来,他通过在面具艺术、社会漫画艺术和友好漫画方面的广泛活动,丰富了自己的兴趣领域。漫画作为一种造型创作类型,主要由艺术家格莱布斯-塞恩丘克(Glebus Sainciuc)在 20 世纪 50 年代末至 60 年代初创作。1958年,他成为讽刺和幽默杂志《Chiparus》编辑委员会成员,这一时期恰好是他在讽刺图形领域的处女作。艺术家的活动涉及社会漫画,这些漫画是文化、社会生活、国民经济等不同主题分支的一部分。创作者的努力方向是精心制作富有表现力的图像,突出反映日常生活的隐喻基调。格莱布斯-塞恩丘克用水彩和水墨创作的漫画突出了色彩和线条的造型表现力,而图像的主题则倾向于对某些社会和文化现实的讽刺性阐释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Arta
Arta Arts and Humanities-Visual Arts and Performing Arts
自引率
0.00%
发文量
19
审稿时长
32 weeks
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