The Legal Protection of Copyrighted Musical Works Used for Commercial Purposes

Erniyanti Erniyanti
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Abstract

The purpose of writing this journal is to know the legal arrangement of copyright protection of musical works used for commercial purposes, and know the legal protection of copyrighted musical works used for commercial purposes. The author is interested in further research where the research aims to analyze Legal Arrangements for Copyright Protection of Musical Works Used for Commercial Purposes and Legal Protection of Copyrighted Musical Works Used for Commercial Purposes. The method used is a nomative approach through literature study, and empirical approach through field research by conducting a series of interviews with respondents and informants to obtain field data. The results showed that, the legal regulation of copyright protection of musical works used for commercial purposes can be analyzed within the framework of John Austin's positive law theory as an order given by the sovereign ruler to protect the copyright of the owner of the musical work. Compliance with these rules is essential as copyright infringement can have serious legal consequences as stipulated in Act No. 28 of 2014 on Copyright and Government Regulation No. 56 of 2021 on the Management of Royalties for Copyright of Songs and/or Music.
对用于商业目的的受版权保护音乐作品的法律保护
撰写本期刊的目的是了解用于商业目的的音乐作品版权保护的法律安排,了解用于商业目的的受版权保护的音乐作品的法律保护。作者有兴趣进一步研究,研究的目的是分析用于商业目的的音乐作品版权保护的法律安排和用于商业目的的受版权保护的音乐作品的法律保护。所采用的方法是通过文献研究的名义方法,以及通过与受访者和信息提供者进行一系列访谈来获取实地数据的实地研究的实证方法。研究结果表明,对用于商业目的的音乐作品版权保护的法律规定可以在约翰-奥斯汀的实在法理论框架内进行分析,将其视为主权统治者为保护音乐作品所有者的版权而下达的命令。正如关于版权的 2014 年第 28 号法案和关于歌曲和/或音乐版权使用费管理的 2021 年第 56 号政府条例所规定的那样,侵犯版权会产生严重的法律后果,因此遵守这些规则至关重要。
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