‘The dance of drawing’ and the limits of digital assistance

Q3 Arts and Humanities
Magali Goubert
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引用次数: 0

Abstract

By looking at ‘the dance of a drawing’, this paper questions the interest and limits of digital technologies in the world of drawing and, more broadly, the visual arts. Based on the system of Effort conceived by the movement theorist Rudolf Laban (1879–1956), the author proposes a new way of apprehending pictorial and graphic form, from its expressive movements. This approach leads the author to distinguish between two modes of graphic expression, the sensory and the rational, which are both opposed and complementary. By inviting the viewer to observe the dance of paintings by Van Gogh and Seurat on the one hand and children’s drawings on the other, the paper underlines how digital technology cannot completely replace traditional drawing techniques.
绘画之舞 "与数字援助的局限性
通过研究 "绘画之舞",本文对数字技术在绘画领域,乃至更广泛的视觉艺术领域的兴趣和局限性提出了质疑。作者以运动理论家鲁道夫-拉班(Rudolf Laban,1879-1956 年)构想的 "努力 "体系为基础,提出了一种从其表现动作来理解绘画和图形形式的新方法。这种方法使作者区分了两种图形表达方式,即感性和理性,两者既对立又互补。通过邀请观众观察梵高和修拉的绘画与儿童画的舞蹈,论文强调了数字技术如何无法完全取代传统绘画技术。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Drawing: Research, Theory, Practice
Drawing: Research, Theory, Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.40
自引率
0.00%
发文量
11
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