Literature and Cinema in the Age of Globalization – Fragments of the XXI Century Cultural Hybridization Debate

IF 0.1 0 LANGUAGE & LINGUISTICS
Ivan Ivanov
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引用次数: 0

Abstract

The article examines the globalization of the 21st century, which is driven by the postmodernist processes of decanonization that create a hybrid cultural environment in the present. The main focus of the text is the film-literature relationship, which is both synergistic and competitive in the market of cultural products. The article presents key postmodern novels from the 80s and 90s of the last century and their film adaptations, which even in the 21st century reproduce with the techniques of cinema a common, archetypal, futuristic, fictional model. Cinema and literature in the third millennium are subordinated to corporate interests and media giants, and the rhizomatic interface between the arts argues for the ubiquitous hybridization of culture. In conclusion, the dialogical modes between world literature, world cinema, and world media are highlighted.
全球化时代的文学与电影--二十一世纪文化混合辩论的碎片
文章探讨了 21 世纪的全球化问题,后现代主义的去殖民化进程推动了全球化,在当下创造了一种混合的文化环境。文章的重点是电影与文学的关系,这种关系在文化产品市场中既是协同关系,又是竞争关系。文章介绍了上世纪八九十年代的主要后现代小说及其改编电影,这些改编电影甚至在 21 世纪利用电影技术再现了一个共同的、原型的、未来主义的虚构模式。第三个千年中的电影和文学从属于企业利益和媒体巨头,而艺术之间的根茎接口则证明了文化无处不在的混合性。最后,强调了世界文学、世界电影和世界媒体之间的对话模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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