Sketches for the Illustrations of the Novel Don Quixote de La Mancha in the Creation of Pavel Șillingovski and Ilie Bogdesco

Dmitri Sibaev
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Abstract

This article compares the preparatory drawings for the illustrations of Miguel de Cervantes Saavedra’s novel Don Quixote de La Mancha by Pavel Șillingovski and Ilie Bogdesco, two famous artists, whose work represents the successive stages in the evolution of graphic during the 20th century. The series of drawings represents different attitudes towards the process of illustrating literary works. In order to achieve the proposed objective, we have resorted to theoretical concepts, present in the science of “art history” and described by the Viennese theorist Walter Koschatzky, as well as the published diary of I. Bogdesco, which complements the artistic creation inherited from the artist. In addition, has been described and analysed, the historiography, including very recent, in which the series of works, proposed for investigation, is published. The sketches for the illustrations allow us to see how the image of the famous hidalgo passes through 20th century art. In addition to this, we also make a brief incursion into the artistic context in which these two personalities worked. Through this modest theoretical approach, we wish to join the series of events and publications commemorating the centenary of the birth of the great graphic artist Ilie Bogdesco.
帕维尔 Șillingovski 和伊利-博格德斯科创作的小说《堂吉诃德-德-拉曼恰》插图草图
本文比较了帕维尔-伊林戈夫斯基(Pavel Șillingovski)和伊利-博格德斯科(Ilie Bogdesco)为塞万提斯-萨维德拉(Miguel de Cervantes Saavedra)的小说《唐吉诃德-德-拉曼恰》(Don Quixote de La Mancha)绘制插图的预备图。这一系列绘画代表了对文学作品插图过程的不同态度。为了实现所提出的目标,我们借鉴了维也纳理论家 Walter Koschatzky 所描述的 "艺术史 "科学中的理论概念,以及 I. Bogdesco 已出版的日记,后者补充了从艺术家那里继承的艺术创作。此外,还描述和分析了历史学,包括最近出版的一系列作品,这些作品都是为调查而建议出版的。通过插图草图,我们可以看到著名的伊达尔戈的形象是如何在 20 世纪的艺术中流传的。除此以外,我们还对这两位人物的艺术创作背景进行了简要的探讨。我们希望通过这种适度的理论方法,加入到纪念伟大的平面艺术家伊利-博格德斯科诞辰一百周年的系列活动和出版物中来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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