The Poetic Metamorphoses of Chișinău City

Rodica Gotca
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Abstract

This article studies the evolution of the poetic imaginary of Chișinău City in the 19th, 20th and 21st centuries, which represents an overlap of images, of archetypal structures, which we integrated as theoretical support in the interpretation of urban poetic texts. Starting from the eight ensembles or archetypal structures of the imaginary applied to historical evolution, presented by Lucian Boia in For a history of the imaginary, we systematized the artistic images from the researched lyric in eight forms, attributed to each time segment, thus demonstrating the complexity of the urban imaginary and facilitating observing the metamorphosis of the image of Chișinău City during the 19th, 20th and 21st centuries. Through this system of archetypal structures, we interpreted the lyrical creations that capitalize on the Chișinău urban imaginary, identifying the change of perspective both on the image of the city, in the perception of the poets, and of the city itself, on a historical, political, social, economic and cultural level. Distanced to the point of oblivion (19th century), then raised on the pedestal of admiration (20th century), Chișinău becomes a familiar environment (21st century), an object of culture and not of worship, an architectural space concretized with the generation after 2000.
芝西那乌市的诗意蜕变
本文研究了 19 世纪、20 世纪和 21 世纪基希讷乌市诗歌想象的演变,它代表了图像和原型结构的重叠,我们将其作为解读城市诗歌文本的理论支持。从卢西恩-博亚(Lucian Boia)在《想象的历史》(For a history of the imaginary)一书中提出的适用于历史演变的八种想象组合或原型结构出发,我们将所研究的抒情诗中的艺术形象系统化为八种形式,分别归属于各个时间段,从而展示了城市想象的复杂性,并有助于观察 19、20 和 21 世纪期间基希讷乌市形象的蜕变。通过这一原型结构系统,我们解读了利用基希讷乌城市想象进行的抒情创作,从历史、政治、社会、经济和文化层面确定了诗人眼中的城市形象和城市本身的视角变化。先是被遗忘(19 世纪),后又被推崇(20 世纪),如今,基希讷乌已成为人们熟悉的环境(21 世纪),成为文化而非崇拜的对象,成为 2000 年后一代人具体化的建筑空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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