Ship Model as a Museum Object

Evgeniia Ovsiannikova
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Abstract

Ship models are the part of a significant number of collections of domestic and foreign museums. Such objects are the primary sources of knowledge and emotions, true monuments of history and culture, but often belong to the group of reproductions of museum objects, that is, reduced copies of original objects. The article analyzes the questions of the definition of ship models, correlates the definitions of these items in different sources. The author considers the model of the ship from the point of view of the functions and properties of a museum object, asserts their value as originals of significant historical and cultural significance, monuments of science and technology, objects of arts and crafts, ethnographic sources. The novelty of the research lies in the study by the author of the ship model from the point of view of the theory of the museum object. This allows us to consider ship models from other, not generally accepted positions, and consider them full-fledged museum objects, which, along with originals, have the same set of properties, qualities and features. The main conclusions of the study are, firstly, that the models of ships and vessels in the collections of museums are not secondary in relation to other material sources, and secondly, that such objects fully correspond to the concept of "cultural values", are source of knowledge and emotion.
作为博物馆藏品的船模
船模是国内外博物馆大量藏品的一部分。这些物品是知识和情感的主要来源,是历史和文化的真正纪念碑,但往往属于博物馆物品的复制品,即原物的缩小版。文章分析了船模的定义问题,并将这些物品在不同来源中的定义进行了关联。作者从博物馆藏品的功能和属性的角度来考量船模,肯定了其作为具有重要历史和文化意义的原件、科技纪念品、艺术和手工艺品、人种学资料的价值。这项研究的新颖之处在于作者从博物馆物品理论的角度对船模进行了研究。这使我们能够从其他不被普遍接受的立场来考虑船模,并将其视为完全成熟的博物馆物品,它们与原物具有相同的属性、品质和特征。这项研究的主要结论是:首先,博物馆收藏的船舶模型相对于其他物质来源而言并不次要;其次,这些物品完全符合 "文化价值 "的概念,是知识和情感的源泉。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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