Museum as Métier: Victor D’Amico and the Museum of Modern Art

Briley Rasmussen
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Abstract

Abstract:Although Victor D’Amico’s pedagogy and legacy are well known within the field of art education, discussions of his work often disregard the context in which he worked for over thirty years—The Museum of Modern Art. This essay examines D’Amico’s key projects, considering how they were supported by and in collaboration with his museum colleagues. The result was a unique legacy steeped in a pedagogy of modern art and museum education. As a conclusion, this essay looks at the training of art educators and museum educators as requiring different kinds of foundational work and an acknowledgment of the importance of the museum as a context for art education.
博物馆即艺术维克多-达米科与现代艺术博物馆
摘要:尽管维克多-达米科的教学法和遗产在艺术教育领域广为人知,但在讨论他的作品时却往往忽略了他工作了三十多年的背景--现代艺术博物馆。这篇文章探讨了达米科的主要项目,考虑了这些项目是如何得到博物馆同事的支持并与他们合作的。其结果是在现代艺术教学法和博物馆教育方面留下了独特的遗产。作为结论,本文认为艺术教育工作者和博物馆教育工作者的培训需要不同类型的基础工作,并承认博物馆作为艺术教育背景的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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