Il processo rielaborativo di Johann Georg Pisendel in alcune Sonate per violino e basso continuo

Q4 Arts and Humanities

De Musica Disserenda Pub Date : 2023-11-20 DOI:10.3986/dmd19.1.04

Fabrizio Ammetto

引用次数: 0

Abstract

A detailed analysis of four concordant movements, taken from five autograph sonatas for violin and basso continuo by Johann Georg Pisendel, allows us to identify some compositional and reworking methods of the German musician. The alternative versions recorded in these manuscripts seem to derive frequently from performing and improvisatory practice.

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约翰-乔治-皮森德尔（Johann Georg Pisendel）在一些小提琴与低音提琴奏鸣曲中的再创作过程

对约翰-格奥尔格-皮森德尔（Johann Georg Pisendel）亲笔签名的五首小提琴和低音提琴奏鸣曲中的四个和谐乐章的详细分析，使我们能够确定这位德国音乐家的一些作曲和再创作方法。这些手稿中记录的替代版本似乎经常来自表演和即兴创作实践。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

De Musica Disserenda Arts and Humanities-Music

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： De musica disserenda is an international journal of musical scholarship. It is published by the Institute of Musicology ZRC SAZU (Scientific Research Centre of the Slovenian Academy of Sciences and Arts) at the ZRC Publishing (Založba ZRC). The journal is publishing musicological as well as interdisciplinary articles regarding music, with a special attention given to the texts on history of music on the territory of today’s Slovenia in wider European context. Individual issues of the journal with various dissertations are published twice a year, while thematic double issues are published at the end an individual year. The articles are published in Slovenian, English, German, French or Italian languages, with keywords and abstracts in English and Slovenian. A longer summary in Slovenian or English is given at the end of each article.