Brick Mule

Michael Brown
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Abstract

This observational anthrozoological ethnographic film documents the lives of Nepal's working mules. The film finds a closeness with the mules; their sale in India, their journey to Nepal and their work in the huge brick factories of the Kathmandu valley and portering goods into the high Himalayas. Stunning cinematography and a crafted soundscape paint a moving portrait of Nepal's brick mules and the people who make their living with them. Honest, but non-judgemental, the film gives a unique insight into hardship of life for people and equines alike. Yet underlying questions about humanity and our relationship with animals underpin the film. This film formed part of a community project using Paulo Freire’s ‘critical consciousness’ (Freire, 1978) theory, involving self-reflection and transformation, leading to changes in knowledge, attitudes and behaviours that ultimately improved equine wellbeing. The theoretical underpinnings and project outcomes can be further explored through an open access paper published in Visual Studies journal.
砖骡
这部观察人类动物学的人种学影片记录了尼泊尔劳动骡子的生活。影片通过骡子在印度的销售、来到尼泊尔的旅程、在加德满都山谷巨大砖厂的工作以及在喜马拉雅山高处搬运货物的过程,与骡子拉近了距离。令人惊叹的摄影和精心制作的音效为尼泊尔的砖骡和以它们为生的人们描绘了一幅动人的画卷。影片真实但不带批判性,以独特的视角揭示了人与马的艰辛生活。然而,关于人性和我们与动物之间关系的潜在问题也是这部影片的基础。这部影片是社区项目的一部分,采用了保罗-弗莱雷(Paulo Freire)的 "批判意识"(Freire,1978 年)理论,涉及自我反思和转变,导致知识、态度和行为的改变,最终改善了马匹的福祉。该理论基础和项目成果可通过在《视觉研究》杂志上发表的开放存取论文进一步探讨。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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