A Note on Feminism and Post-Modernism

P. D. Satyapaul Kumar, P. Rajendra Karmarkar
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Abstract

The Western hemisphere's physical and cultural ambience of the past four decades was the stage for the emergence of feminism and post-modernism. A study of the contrasts, similarities and interrelations, various artistic forms and media of expression render a vivid diversity and widespread popularity to these two isms- hence the apt title to this article should be – “A Note on Feminism and Post-modernism”. Recognizing and rejecting the flourishing undercurrent of unitary and biased, fictitious notions and extracting the different lifestyles, values, thoughts and history of another kind that are overshadowed by the rational logic, tradition, culture, and history of age old male chauvinistic perspectives; and accepting and encouraging the natural plurality in the existence and expression of human beings- if these are considered to be the general characteristics of feminisms, then post-modernism and feminism ought to be allies. But we find this connection very complex when we observe the changes in feminisms caused by the influence of post-modernism.
关于女权主义和后现代主义的说明
过去四十年间,西半球的物质和文化环境为女权主义和后现代主义的出现提供了舞台。通过对这两种主义的对比、相似性和相互关系的研究,各种艺术形式和表现媒介呈现出生动的多样性和广泛的流行性--因此,本文的标题应为 "女性主义和后现代主义注解"。承认并摒弃单一的、偏颇的、虚构的观念的暗流涌动,汲取被理性逻辑、传统、文化和历史上古老的男性沙文主义观点所遮蔽的另一种不同的生活方式、价值观、思想和历史;接受并鼓励人类存在和表达的自然多元性--如果这些被认为是女性主义的一般特征,那么后现代主义和女性主义应该是盟友。但是,当我们观察后现代主义影响下女性主义的变化时,我们会发现这种联系非常复杂。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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