White capitalism within communities of craftivism: mask making and health maintenance disparities during COVID-19

IF 1.5 Q2 COMMUNICATION
Wendy K. Z. Anderson, L. Davis
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Abstract

When lockdown started, my anxiety kept me on a tight string—I (author 1) remember drowning in intense, omnipresent agitation as I used every “extra” moment I could to research mask styles, adapt patterns published online or distributed by different organizations to increase access to masks for better functionality, and distribute masks to those who needed them via an old ice cream bucket on my front bench. Yet, I recognized that the time I used, my ability to quarantine and so much more contributed to my privilege in doing so. I (author 2) had no masks on hand, so after watching a few tutorials online, I concocted my own makeshift mask. Not only did my MacGyvered creation not fit properly, it was superhot and lacked sufficient air flow due to the thickness of the fabric. Although this initial mask-making strategy wasn't very practical, I recognized the importance of having not only a mask but one that would fit such that it properly served its purpose: to preserve my health. By fashioning a collaborative, autoethnographic approach to understanding craftivism during the 2020 coronavirus crisis, from a Black scholar doing disparities and equity focused health communication work and a white scholar engaging activist rhetorics and digital media equity scholarship, our joint recognition of economic and infrastructural privilege offered understanding of how forms of pattern design (techne) and cultural community infrastructure influenced our maker agencies and constraints. Reflecting on our immersive mask-making experiences, we recognized a value of creating alternative economic structures, yet also unmasked significant racial agencies within craftivist communities which required cultural historic materiality and knowledge, time to create and revise, networked access, and physical risk. Here, we offer insight into how a crisis revealed systemic biases as agency to reorient ourselves toward anti-racist processes and practices.
手工艺社区中的白人资本主义:COVID-19 期间的面具制作与健康维护差异
当封锁开始时,我的焦虑让我绷紧了弦--我(作者 1)记得自己沉浸在强烈的、无处不在的焦虑中,我利用一切 "多余 "的时间研究口罩的样式,改编网上发布或不同组织分发的样式,以增加获得口罩的机会,提高口罩的功能,并通过我家前凳上的一个旧冰淇淋桶向需要的人分发口罩。然而,我认识到,我所使用的时间、我的隔离能力以及其他许多因素都是我在这样做时享有特权的原因。我(作者 2)手头没有口罩,所以在网上看了一些教程后,我自己制作了一个临时口罩。我的 MacGyvered 作品不仅不合适,而且由于布料太厚,温度过高,缺乏足够的空气流通。虽然最初的口罩制作策略不太实用,但我认识到,不仅要有一个口罩,而且要有一个合适的口罩,这样才能达到保护健康的目的。在 2020 年冠状病毒危机期间,一位黑人学者从事以差异和公平为重点的健康传播工作,另一位白人学者从事积极修辞学和数字媒体公平学术研究,我们通过合作、自述的方式来理解手工艺主义,我们对经济和基础设施特权的共同认识,让我们理解了图案设计(techne)和文化社区基础设施的形式是如何影响我们的制作机构和制约因素的。反思我们身临其境的面具制作经历,我们认识到了创造替代性经济结构的价值,但同时也揭示了手工艺者群体中重要的种族机构,这些机构需要文化历史材料和知识、创作和修改的时间、网络接入和身体风险。在此,我们深入探讨了危机如何揭示出系统性偏见,并以此为动力,调整我们的方向,走向反种族主义的进程和实践。
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来源期刊
CiteScore
3.30
自引率
8.30%
发文量
284
审稿时长
14 weeks
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