The image of male / female artist in Ukrainian literature at the turn of the 19th and 20th centuries in the gender aspect

O. Kalenichenko, Yu.P. Shchukina
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Abstract

The study examines gender issues in the works of Ukrainian writers on the border of the 19th and 20th centuries, whose main heroes and heroines are representatives of art. In the dramaturgical works of this time, due to the departure from the social issues, the problems of gender equality and the possibility of choosing their life path by women actresses are intensified. This topic today remains an almost unexplored in scientific works, which determines the relevance and scientific novelty of our article. The purpose of the study is to consider the processes of modernization of Ukrainian literature in the context of gender and feminist issues, as well as to analyze the peculiarities of writers’ interpretation of images of artists in prose and drama using general scientific approaches and comparative typological method. The research results allows to state that such writers as O. Konisky and H. Khotkevych seek to reveal the peculiarities of the worldview of their characters. At the same time, the attitude of the heroes towards the female gender is traditional, the chosen ones of the musicians – main literary personages – should be female associates who fully support the lofty thoughts and deeds of their husbands. Actors and actresses in the plays by M. Starytsky and I. Karpenko-Kary raise the most difficult issues of family life, fidelity and betrayal of wives and husbands in marriage, life in a civil marriage and others that continue to be relevant in our time. L. Starytska Cherniakhivska, Lesia Ukrainka and O. Kobylianska, going beyond gender issues in the direction of feminist views, transfer the emphasis in their plays and short prose to the tragedy of a talented woman who devoted herself to art. Thus, Ukrainian writers of the studied period considered in sufficient detail the problem of gender relations in their modern society, in particular, the issue of family betrayal in its interpretation by representatives of the opposite sexes, and built a kind of hierarchy of relations between women and men.
从性别角度看 19 世纪和 20 世纪之交乌克兰文学中的男/女艺术家形象
本研究探讨了 19 世纪和 20 世纪交界处乌克兰作家作品中的性别问题,这些作品中的男女主人公都是 艺术界的代表人物。在这一时期的戏剧作品中,由于脱离了社会问题,性别平等问题和女演员选择自己人生道路的可能性问题更加突出。如今,这一主题在科学著作中几乎仍未得到探讨,这也决定了我们这篇文章的现实意义和科学新颖性。本研究的目的是在性别和女权问题的背景下思考乌克兰文学的现代化进程,并利用一般科学方法 和比较类型学方法分析作家对散文和戏剧中艺术家形象的诠释的特殊性。研究结果表明,O. Konisky 和 H. Khotkevych 等作家试图揭示其笔下人物世界观的特殊性。同时,主人公对女性的态度是传统的,音乐家选择的对象--主要的文学人物--应该是全力支持丈夫崇高思想和行为的女性伙伴。在 M. Starytsky 和 I. Karpenko-Kary 的剧作中,演员们提出了家庭生活中最棘手的问题、婚姻中妻子和丈夫的忠诚与背叛、公证结婚中的生活等问题,这些问题在当代依然具有现实意义。L. Starytska Cherniakhivska、Lesia Ukrainka 和 O. Kobylianska 超越了性别问题,朝着女权主义观点的方向发展,在其剧本和短篇散文中将重点转移到一位献身艺术的天才女性的悲剧上。因此,研究期间的乌克兰作家充分考虑了现代社会中的性别关系问题,特别是异性代表对 家庭背叛问题的解释,并建立了一种男女关系等级制度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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