The cultural meaning of the concept of "will" in the poetry of K.D. Balmont

N. Krokhina, Lyudmila Viktorovna Ershova, Oleg Yur'evich Astakhov, Karine Evgen'evna Romanova, Zhanna Leonidovna Okeanskaya, Viktor Georgievich Maslov, Svetlana Ivanovna Val'kevich
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Abstract

The purpose of the article is to reveal the cultural meanings that for the poet were associated with the concept of "will". To achieve this goal, we trace the evolution of the poet's work, in which the cultural meaning of the concept of "will" is revealed through a chain of interrelated and complementary meanings: the boundless desire of the symbolist poet, a rush into the distance and upward, gaining freedom, admiration for the free world and the discovery of the supreme Divine - creative principle in nature. It is shown that the concept of "will" embodies in Balmont's poetry the essence of God's world, turns to the foundations of the Russian cultural mentality, reveals the convergence of Divine and human, free and creative principles as the dominant cultural worldview of the poet of the Silver Age. It is necessary to reveal the many cultural meanings that for the poet were associated with the concept of "will". The methodology of the research is based on synchronic, structural-functional, biographical, historical and cultural methods. Thus, the concept of "will" in Balmont's poetry combines the aspiration to space, breadth and height – to infinity, freedom, the poet's kinship with the Divinely free and eternally changeable elements of God's world and the creative principle as comprehension of the soul of the world and his own "free-spirited" soul. The cultural meaning of the concept "will" embodies the essence of God's world and the poet's soul. The concept of "will" in its versatility is one of the key ones in Balmont's poetry and turns to the basics of the Russian mentality, as well as reveals the convergence of the Divine and human, free and creative principles as the dominant worldview of the poet of the Silver Age. The thirst for will and freedom is inseparable from the formation of the Balmont symbolist with his aspiration from external reality to internal realities and is also connected with the rush into the distance "thirst for will and space".
K.D. 巴尔蒙特诗歌中 "意志 "概念的文化内涵
本文旨在揭示对诗人而言与 "意志 "概念相关的文化含义。为了实现这一目标,我们追溯了诗人作品的演变过程,在这一过程中,"意志 "这一概念的文化内涵通过一连串相互关联、相辅相成的意义得到了揭示:象征主义诗人的无穷欲望、奔向远方和向上、获得自由、对自由世界的赞美以及对至高无上的神性--自然界中创造性原则的发现。这表明,"意志 "这一概念在巴尔蒙特的诗歌中体现了上帝世界的本质,转向了俄罗斯文化心态的基础,揭示了作为白银时代诗人主导文化世界观的神性与人性、自由与创造性原则的融合。有必要揭示对诗人而言与 "意志 "概念相关的诸多文化含义。研究方法以同步法、结构-功能法、传记法、历史和文化法为基础。因此,巴尔蒙特诗歌中的 "意志 "概念结合了对空间、广度和高度的向往--对无限、自由的向往,诗人与上帝世界中神性自由和永恒变化的元素的亲缘关系,以及作为对世界灵魂和他自己的 "自由意志 "灵魂的理解的创造性原则。意志 "这一概念的文化内涵体现了上帝世界和诗人灵魂的本质。"意志 "概念的多样性是巴尔蒙特诗歌中的关键概念之一,它揭示了俄罗斯人的基本心态,也揭示了作为白银时代诗人主导世界观的神性与人性、自由与创造性原则的融合。对意志和自由的渴求与巴尔蒙象征主义的形成密不可分,他渴望从外部现实走向内部现实,也与 "对意志和空间的渴求 "奔向远方有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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