Critical Discourse Analysis: Social Inequality in the Film Turah by Wicaksono Wisnu Legowo

Agnes Aprilia, Anwar Efendi, Hartono Hartono
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Abstract

This article aims to describe the linguistic space of discourse on social phenomena through the audio-visual media of the film Turah regarding social inequality that still applies today (modern) from a critical discourse perspective. The analysis used is Norman Fairclough's critical discourse analysis which focuses on the "irregularity" of social phenomena in the film Turah. The critical discourse process observes subjects, objects and social issues regarding social inequality. The research results are the conclusion of the analysis that has been carried out, that the film Turah contains aspects that build the phenomenon of social inequality in terms of dialogue and social practices in the real world. The results of the analysis also take the form of indirect criticism of social interaction actors from the lowest to the highest layers. Collaboration to build good community relations is one step that can create a balanced view of social status.
批判性话语分析:电影《Turah》中的社会不平等》,作者 Wicaksono Wisnu Legowo
本文旨在从批判性话语的角度,通过电影《图拉》中有关社会不平等的视听媒体,描述社会现象话语的语言空间,这种不平等在今天(现代)依然存在。所采用的分析方法是诺曼-费尔克拉夫(Norman Fairclough)的批判性话语分析,其重点是电影《图拉》中社会现象的 "不规则性"。批判性话语过程观察了有关社会不平等的主体、客体和社会问题。研究成果是通过分析得出的结论,即电影《图拉》中包含了在现实世界的对话和社会实践中构建社会不平等现象的方方面面。分析结果还以间接批评的形式对从最低层到最高层的社会互动行为者进行了批评。通过合作建立良好的社区关系是建立社会地位平衡观的一个步骤。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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