The Enigma Performing Rights in Music Disputes in Indonesia: A Way of Justice from the Paradigm of Fairness Principle

Ida Ayu, Vinda Arini
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Abstract

This study aims to answer two legal issues, namely, the enigma and nature of the concept of performing rights in music disputes in Indonesia and the orientation of the principle of fairness in realizing justice related to music disputes in Indonesia related to performing rights. This research is a normative legal research with a concept and statutory approach. The research results confirm that performing rights in music disputes in Indonesia must be seen in the important role of LMKNs as regulators, administrators, as well as mediators. Therefore, increasing the professionalism and capacity of LMKNs is needed so that the distribution of royalties can reflect aspects of justice for those involved in the world of music. The fairness principle in realizing justice related to music disputes in Indonesia related to performing rights is when the original position and vail of ignorance of the parties are strengthened through the role of LMKN in the mediation process, namely that disputes related to performing rights can be carried out effectively, efficiently and refers to the substantive aspects which are proportionally able to accommodate the rights of the parties.
印度尼西亚音乐纠纷中的表演权之谜:从公平原则范式出发的正义之路
本研究旨在回答两个法律问题,即印尼音乐纠纷中表演权概念的谜团和性质,以及印尼音乐纠纷中与表演权相关的公平原则在实现正义中的定位。本研究是一项采用概念和法定方法进行的规范性法律研究。研究结果证实,印尼音乐纠纷中的表演权问题必须考虑到地方音乐机构作为监管者、管理者和调解者的重要作用。因此,有必要提高地方音乐家协会的专业水平和能力,以便版税分配能够体现音乐界相关人员的公正性。在印度尼西亚,实现与表演权相关的音乐纠纷公正的公平原则是通过 LMKN 在调解过程中的作用加强各方的原有立场和无知,即与表演权相关的纠纷能够得到有效、高效的解决,并在实质方面与各方的权利相称。
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