Senarist Ayşe Şasa’nın Sinema Düşüncesi ve Örnek Filmlerin Söylem Analizi

Abstract

With her active role in the history of Turkish cinema, her own ideas, determinations, and the cinema theories she highlights, screenwriter Ayşe Şasa is the research subject of this study. The general question addressed in the study is whether Ayşe Şasa establishes the idea of cinema in the scenarios she writes. While seeking an answer to this question, discourse analysis was used. The two films that Şasa highlighted the most in her books he wrote and in the interviews made with her were classified and examined according to the evolution of Şasa's cinematic thought. In his own words, Şasa's cinematic view consists of two periods. In this study, Ayşe Şasa's cinematic thoughts have been traced, especially in the films Ah Güzel İstanbul (1966), which she wrote in her first period, and Gramophone Avrat (1987) that she wrote in her second period. As a result of the research, it has been determined that Şasa has created his thoughts within the possibilities in his scenarios.