Brick by bricolage: Adobe Punk's decolonial remapping of Los Angeles

Jessica A Schwartz
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Abstract

This essay offers a case study on the Los Angeles, California-focused “theaterwork.” It is framed by the idea that conversations around sustainability—as a concept that stresses “intergenerational equity” in terms of economic, societal, and environmental community endurance—demand that (1) we reflect on ongoing historical injustices to remediate (e.g., settler colonial) exploitation and environmental abuses and (2) we critically dialogue punk DIY (do it yourself) with other communities’ DIY practices rooted in radical anticapitalist, anticolonial sustenance models. Reading punk futurities through bricolage aesthetics, I share how the theaterwork complicates depictions of spectacular violence in canonic representations of 1980s Los Angeles punk. Ultimately, I contend that Adobe Punk makes an important intervention in conversations concerning punk and claims to urban space.
一砖一瓦:Adobe 朋克对洛杉矶的非殖民重绘
本文提供了一个以加利福尼亚州洛杉矶市为重点的 "戏剧工作 "案例研究。文章认为,围绕可持续发展的对话--作为一个强调经济、社会和环境社区耐力方面 "代际公平 "的概念--要求(1)我们反思正在发生的历史不公,以纠正(如殖民定居者的)剥削和环境侵害;(2)我们以批判的眼光,将朋克 DIY(自己动手做)与其他社区的 DIY 实践进行对话,这些实践植根于激进的反资本主义、反殖民主义的生计模式。通过混搭美学来解读朋克的未来性,我分享了戏剧作品如何将 20 世纪 80 年代洛杉矶朋克的经典代表作中对壮观暴力的描述复杂化。最后,我认为《Adobe 朋克》对有关朋克和城市空间诉求的对话进行了重要的干预。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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