Ideological Transformations of Family Discourses Produced in Popular Comedy Films in Turkey

Türkiye Film Araştırmaları Dergisi Pub Date : 2023-12-25 DOI:10.59280/film.1381854

Fatih Deği̇rmen

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Abstract

The aim of this study is to discuss the ideological transformations of family discourses that becomes to visible in popular comedy films produced in Turkey. The discussions on family are shaped by three approaches that are categorized based on the narrative structures of the films. The first of these approaches is the corporatization of the family, which is discussed through the films Eltilerin Savaşı (Onur Bilgetay 2020) and Kocan Kadar Konuş 1-2 (Kıvanç Baruönü 2015, 2016). The second approach is the Oedipalization of the family, developed through the films Görümce (Kıvanç Baruönü 2016), Celal ile Ceren (Togan Gökbakar 2013) and Romantik Komedi 1-2 (Hakan Kırvavaç 2010 and Erol Özlevi 2013). As the last approach, the dissolution of the truth of the family and the emergence of the post-family discourse were discussed through the film Aile Arasında (Ozan Açıktan 2017). The findings obtained by the discourse analysis method used in the study, covering the corporatization of the family, Oedipalization, and the transformations of the family as a truth regime, show that popular comedy films are parallel to the breaks in today's popular discussion lines in Turkey.

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土耳其通俗喜剧电影中家庭话语的意识形态转变

本研究的目的是讨论家庭话语的意识形态转变，这种转变在土耳其制作的流行喜剧电影中显而易见。根据电影的叙事结构，对家庭的讨论可分为三种方式。第一种方法是家庭的公司化，通过电影《Eltilerin Savaşı》（Onur Bilgetay，2020 年）和《Kocan Kadar Konuş1-2》（Kıvanç Baruönü，2015 年、2016 年）进行讨论。第二种方法是家庭恋母情结化，通过电影《Görümce》（Kıvanç Baruönü，2016 年）、《Celal ile Ceren》（Togan Gökbakar，2013 年）和《Romantik Komedi 1-2》（Hakan Kırvavaç，2010 年和 Erol Özlevi，2013 年）得到发展。最后一种方法是通过电影《Aile Arasında》（Ozan Açıktan 2017 年）讨论家庭真相的解体和后家庭话语的出现。本研究采用的话语分析方法涵盖了家庭的公司化、恋母情结化以及家庭作为一种真理机制的转变，研究结果表明，流行喜剧电影与当今土耳其流行讨论路线的断裂是并行不悖的。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Türkiye Film Araştırmaları Dergisi

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