{"title":"Pamiętnik do nauki harmonii (1871) by Stanisław Moniuszko: A Forgotten 19th-Century Method of Teaching Harmony","authors":"Miłosz Aleksandrowicz","doi":"10.18290/rh237012.15","DOIUrl":null,"url":null,"abstract":"This article contains a reconstruction of the harmony teaching method developed and used by Stanisław Moniuszko. The subject of the analysis is the content of Pamiętnik do nauki harmonii [“A Diary for Learning Harmony”] (Warsaw, 1871), his only published handbook which has not yet been thoroughly investigated. The result of this research, taking into account both unknown and ignored contexts, is the reconstruction of the most important assumptions of this method and the indication of those elements that were the composer's own original ideas.","PeriodicalId":41095,"journal":{"name":"Roczniki Humanistyczne","volume":" 8","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Roczniki Humanistyczne","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18290/rh237012.15","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
This article contains a reconstruction of the harmony teaching method developed and used by Stanisław Moniuszko. The subject of the analysis is the content of Pamiętnik do nauki harmonii [“A Diary for Learning Harmony”] (Warsaw, 1871), his only published handbook which has not yet been thoroughly investigated. The result of this research, taking into account both unknown and ignored contexts, is the reconstruction of the most important assumptions of this method and the indication of those elements that were the composer's own original ideas.
本文还原了斯坦尼斯瓦夫-莫纽什科(Stanisław Moniuszko)开发和使用的和声教学方法。分析的主题是《学习和声的日记》(Pamiętnik do nauki harmonii)(华沙,1871 年)的内容,这是他唯一出版的手册,但尚未得到深入研究。考虑到未知和被忽视的背景,这项研究的成果是重建了这一方法最重要的假设,并指出了作曲家自己的原创想法。