A Fearless Hero: The Puppet in the Socio-political Context of the Middle East

Yassaman Khajehi
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Abstract

Since the beginning of the 21st century, the countries of the Middle East have experienced several episodes of revolt and revolution. Art in general has both been affected by and has influenced these events. With this in mind, my essay examines the art of puppet theatre as an epic narrative approach in the sense of both epic-political and epic-adventurous. To explore this phenomenon in historical context, I first trace puppetry’s past in the Middle East and then discuss in more detail its important contemporary role. My contention is that the Middle Eastern puppet becomes a narrative schema of the socio-political field, going beyond the limits imposed on the rest of society with skill, like a hero who acts to save his beloved at the end of the story.
无畏的英雄:中东社会政治背景下的傀儡
自 21 世纪初以来,中东国家经历了数次叛乱和革命。总体而言,艺术既受到了这些事件的影响,也对其产生了影响。有鉴于此,我的文章将木偶剧艺术作为一种史诗叙事方法,从史诗政治和史诗冒险的意义上进行研究。为了在历史背景下探讨这一现象,我首先追溯了木偶戏在中东的过去,然后更详细地讨论了它在当代的重要作用。我的论点是,中东木偶成为社会政治领域的一种叙事模式,它以高超的技艺超越了强加给社会其他人的限制,就像故事结尾为拯救爱人而行动的英雄。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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