Art Mask Design Using Grotesque Characteristics in Modern Art

Su-Joung Kwak, Hae-Seon Kim
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Abstract

Art in the fast-changing modern era creates various works through organic combinations without any clear distinction. Art mask, a territory of art expressed by using masks that resemble a human face, the representation of the grotesque fusion design implemented by the art mask present various senses and thinking skills to modern people who expect new things against the existing forms. Therefore, the characteristics of fear, dislike, playfulness, and atypia in Grotesque can open up to a new making method in a comprehensive and innovative way. By incorporating the characteristics of Grotesque paintings that have become popular in modern art, this study expressed demonism by expressing the heterogeneous appearance of a sleeping woman and in a smooth line and geometric way in the form of a human face in the work expressed in art mask which is based on “Nightmare” by John Henry Pujelly in Work I, the bizarre image of the extremely exaggerated size of the eyes was embodied in a deformed form by not expressing the nose with the motif of “Strange Balloon-like Eyes Traveling to Infinite” by Odilong Le Dong in Work II, the tears in both eyes on the mask represented a physically damaged body, and used various lines to express disgust. Work III expressed the playfulness of infantile grotesque like clowns by using elements of satire in “conspiracy” by James Ansore as a motif. The Work IV expressed the time of hopelessness without life by expressing abnormally abhorrent and unnatural things and the distorted cravings of life in fear as skeletons that are abnormally disgusting and unnatural by using “Release of the Fifth Seal of John's Apocalypse” by El Greco as a motif. The conflicting emotions were expressed by gradating the skull's eyes with black paint, and was reinterpreted as a dream and hope using various colors of color. As a result of this study, it was identified that paintings that expressed the characteristics of grotesque through art mask production can present unlimited imagination and a variety of topics to artists in the makeup field. This study is expected to be used as a basic data for a follow-up study on art mask design in the future and will help to develop art mask designs.
利用现代艺术中的怪诞特征设计艺术面具
瞬息万变的现代艺术,通过有机的组合,创造出各种没有明显区别的作品。艺术面具,一个用类似人脸的面具来表现的艺术领地,艺术面具所实现的怪诞融合设计的表现形式,给对现有形式有新的期待的现代人呈现出各种感官和思维能力。因此,"怪诞 "中的恐惧、厌恶、嬉戏、非典型等特征,可以全面创新地开启一种新的制作方法。本研究结合现代艺术中流行的怪诞绘画的特点,在作品 I 中以约翰-亨利-普杰利(John Henry Pujelly)的《梦魇》为原型的艺术面具作品中,通过表现一个熟睡女人的异相,并以流畅的线条和几何方式表现人脸的形式,表达了恶魔主义、作品 II》中,以欧迪龙-乐东的《奇异气球般的眼睛在无限旅行》为主题,不表现鼻子,以变形的形式体现了眼睛极度夸张的怪异形象,面具上双眼的泪水代表了身体受损,并用各种线条表达了厌恶之情。作品三以詹姆斯-安索雷《阴谋》中的讽刺元素为主题,表现了小丑等幼稚怪诞的游戏性。作品四以埃尔-格列柯(El Greco)的《约翰启示录第五封印的释放》为主题,表现了异常恶心和不自然的骷髅等异常可憎和不自然的事物,以及恐惧中对生命的扭曲渴求,从而表达了没有生命的无望时代。通过用黑色颜料渐变骷髅的眼睛来表达矛盾的情绪,并用各种颜色将其重新诠释为梦想和希望。这项研究的结果表明,通过艺术面具制作表现怪诞特征的绘画可以为化妆领域的艺术家提供无限的想象空间和丰富的题材。本研究有望作为今后艺术面具设计后续研究的基础数据,并有助于艺术面具设计的发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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