Set that record straight! Cardinal line orientations in music album artwork boost market performance and music consumption

Yannick Joye, Bob M. Fennis
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Abstract

In three studies, we examine the effect of music album artwork on album market performance and music consumption. Based on the perceptual preference for visual stimuli with cardinal (orthogonal) over oblique (tilted) line/edge orientations (a phenomenon known as the “oblique effect”), albums with a predominance of cardinal line/edge orientations in their artwork should perform better than albums with more oblique artwork, as indicated by the albums' market performance and consumers' listening behavior. Study 1, using secondary data, shows that the cardinality of album artwork is a positive predictor of the cover's esthetic appeal and of market performance as evinced by its position in the US charts, expert ratings of the album, and the number of weeks the album remained in the US charts. Studies 2 and 3 use experiments to show that consumers listen longer to music when album artwork is relatively more cardinal than oblique. These studies also explore whether the effect is mediated by higher esthetic appreciation of cardinal (vs. oblique) album artwork in turn affecting song liking. Overall, these findings underscore the importance of visual preferences in packaging design for music consumption.
澄清事实音乐专辑封面中的红心线方向促进了市场表现和音乐消费
在三项研究中,我们探讨了音乐专辑封面对专辑市场表现和音乐消费的影响。根据人们对正交(正直)而非斜交(倾斜)线/边方向的视觉刺激的感知偏好(一种被称为 "斜交效应 "的现象),从专辑的市场表现和消费者的收听行为来看,封面设计以正交线/边方向为主的专辑应该比封面设计以斜交方向为主的专辑表现更好。研究 1 利用二手数据表明,专辑封面图案的心形是封面美学吸引力和市场表现的积极预测因素,这体现在专辑在美国排行榜上的位置、专家对专辑的评价以及专辑在美国排行榜上的停留周数上。研究 2 和研究 3 通过实验表明,当专辑封面的正向吸引力相对大于斜向吸引力时,消费者聆听音乐的时间会更长。这些研究还探讨了这种效应是否会因为对正向(与斜向)专辑封面的审美鉴赏力较高而反过来影响对歌曲的喜好。总之,这些发现强调了视觉偏好在音乐消费包装设计中的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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